Cyrus Behn writes literary fiction about silence — about what families inherit and refuse to name, about the moral architecture of the things we do not say. His novels follow the long cost of unspoken decisions: an immigrant surgeon who carries his mother’s discipline of silence into a life that will not survive it; a marriage running on a husband’s private accounting; a woman whose interior nobody has been listening to for nine years.
His work has been compared to Khaled Hosseini, Hernan Diaz, and Min Jin Lee. He lives between languages and continents, and writes about the rooms most American novels do not open the doors of.
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